Month: May 2021

The importance of setting for my stories

The importance of setting for my stories

Setting is such a vital element in any narrative. Janet E. Green is privileged to have lived in different parts of the world, and, as a result, has had her imagination richly stimulated with a diverse array of settings in which to place her characters and to develop her plot. In this post, she shares some insights into some of the countries she has lived in–Kenya, Zambia, and the United Kingdom

Those who read my books will notice that the countries in which my various stories are set usually tend to be Kenya, Zambia or England. It is within these countries that I have lived large parts of my life, making it easier for me, as I set out to write a story, to identify with the way of life and the indigenous people who dwell there.

Kenya is the country of my birth and is a place of outstanding, dramatic landscapes. The countryside is diverse and varying and from the magnificent grandeur of Mount Kenya, the second-highest mountain in Africa, (where Ngai, the Kikuyu god is said to have made his throne), to the spectacular coast line, there are impressive views to enjoy. There are great vistas over the Great Rift Valley, game parks full of intriguing wildlife, magnificent flamingo encrusted lakes full of birds of all kinds, breath taking escarpments and extinct volcanos that have left the mark of their activity in strange crags and larva canyons, now heavily wooded. Then there is the coast where the sea of many shades of blue and green, the pristine beaches and rustling palm trees are tinged with pink as the day dawns – a paradise in its own right. There are so many wonderful places in Kenya within which to put the characters of my story, and the drama of landscape enhances the narrative.

There are so many beautiful places in Kenya within which to set a story, but Zambia also has its own charm. Unlike Kenya, the beauty of the country is not so provocative. I have heard it said that topographically Zambia is a boring country, but I would certainly disagree with that. The beauty there is more elusive but, in my opinion, just as seductive with its Mopani woodland interspersed with golden glades and strange shaped koppies. In the summer months, the countryside stands out crisp and clear, but during the winter a bluish haze descends over everything, causing it to look ethereal and mysterious. Then there are the focal points of Victoria Falls and Lake Kariba, both dramatic features which just beg to be written into a story!

England is so different from Africa; it is softer and more gentle. Although it doesn’t have the breathtakingly stunning panoramas that are found in Africa, the countryside is pretty and charming, while the changing seasons transform the landscape in a pleasing way as the months roll by. There is also a sense of antiquity in England that is largely absent in Africa, and that in itself causes a portal to be opened when it comes to creating a saga for my characters.

I like to think that the setting for my stories enriches the narrative and helps the reader to relate to the characters who appear in the pages of my books.

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How the Characters Developed in “Out of the Frying Pan”

How the Characters Developed in “Out of the Frying Pan”

Developing the characters in a story is a key element in how well a book reads. Jan Green writes in this post about how she developed some of her characters in her novel Out of the Frying Pan.

To make the characters in my book as realistic as possible, I often base them on people I have met or known in the past. However, they soon become unique personalities in their own right, often quite different from the original people on whom they are based.

I have always been intrigued in what makes a person an individual, and often covertly study people with interest to find out what motivates them and makes them behave in a certain way. If someone talks about himself of herself–something that most people are compelled to do for some reason–it is possible to relate to them how the circumstances of their lives have moulded them into to personality they have become. Their facial expressions and body language often reveal a great deal as well.

As I create the characters in my book, I think about how the circumstances in their lives have moulded them into the people they are. People react to different circumstances in many ways; some respond to bad experiences by becoming bitter and evil, while others learn from the incident and become better people.

As an author, I have the power to create each and every person in my story. I can make each one as good or evil as I please, and this is quite empowering! I do try and have a good mix of characters because that is true to life, and a story with only good or bad people would be very boring.

The image we used for Sharba on the cover of the book

In my book Out of the Frying Pan, Sharba has had many difficulties in her life, but she has overcome them all and is a well-balanced and pleasant personality. Arlo has also had trauma in his life, but he has been unable to handle it well at first. He makes mistakes, but eventually pulls himself and his life together. Then there is Karl, Arlo’s son; he has had a good upbringing and there is no reason for him to become the unpleasant, corrupt character that he has developed into. But we all know of people who have inexplicitly turned out that way, don’t we? It’s interesting how I have been able to form Karl and weave his corrupt character into the storyline of the book to achieve a significant dramatic turn of events in the latter part of the book.


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Out of the Frying Pan: Places that inspired my story

Out of the Frying Pan: Places that inspired my story

Of the many challenges facing an author, a natural setting for the characters and the developing plot is essential. Jan Green writes here of some of the places she has visited–and shares some graphics–that helped inspire her in writing her latest novel.

Memorable Places

I have had the good fortune to live in a number of incredibly beautiful and memorable places in the world, and it seems natural to base my stories in the settings that I remember with such fondness.

In the story of Out of the Frying Pan, my main character, Sharba, is based in England to start with, but she visits Australia and Kenya before finally settling in Zambia, which is the country of her birth.

Australia is an immense country with countless interesting activities for a young person to explore, and so this seemed a good place for her to go on holiday and meet Oliver.

Later in the story, they travel to Kenya in East Africa, and Sharba spends a couple of magical days on the Kenyan coast at Diani, a place very dear to me. Sharba wishes she could stay there longer as it seems to her to be the ultimate tropical paradise, with its unspoiled crystal white sandy beaches, azure sea and exotic trees and flowers.

Sharba then moves on to Zambia, a beautiful country sitting right in the heart of the African continent. It is filled with stunning wildlife, vast unspoiled landscapes and is home to the iconic Victoria Falls. It is a country in which I lived for many years.

She lives in a quiet corner of the southern province next the majestic Zambesi River and amid a myriad of exotic birds and animals. Not far away the river flows over the Victoria Falls in a roaring drama or noise, spray and the most beautiful rainbows.


Try before you Buy: Read a couple of chapters HERE

BUY: Paperback HERE

BUY: Kindle HERE

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